Molly Greene
False Vegetation Gods
I hope that I’m starting to play in that space between conventional ideas of what a human should be and what a human could be.


The Door of Perception
I hope that I’m starting to play in that space between conventional ideas of what a human should be and what a human could be.
Photojournalist Sebastião Salgado traveled the Brazilian Amazon for six years to document the unfathomable wonder of this last frontier. The forest, the rivers, the mountains, and the people who live there.
Her vibrant nature scenes convey a sense of the divine in nature and are reminiscent of the Transcendental Painting Group.
I think it is fair to say that Pete Mauney is obsessed with photographing fireflies. For more than twenty years he finds solace in his nocturnal wanderings and an inexhaustible challenge for the next interesting composition.
Apocalyptic landscapes imbued with an ominous presence, that reminds me of the frailty of everything we deem safe and irrefutable.
David Uzochukwu (born 1998) is an Austrian-Nigerian artist engaging with longing and belonging through (self) portraiture. He uses photography and…
The following drawings are taken from the Wurzelatlas, a book series that began in 1960 and is regarded as the standard work on root research.
She describes her work as an ongoing exploration without rules and conventions, inspired by the desire to live.
This book is a New Age classic but just one of many publications in the same spirit springing from the counterculture of the late 1960s.
The long-time exposures Alexis brings back from his solitary immersions into the night reflect a desire for stillness, to retrieve a timeless meaning lost to modern man.
Her paintings speak to us with such a refreshing immediacy, reminding us how wild it is to be alive.
Each picture reveals minute features and textures that are normally invisible to the naked eye.
Like a deep well evoking forgotten concepts about origins, belonging, and the presence of spiritual forces in the world.
Wolfgang Hutter was clearly gifted with an exceptional receptivity to feel the call of beauty and the creative power to translate it back into form.
Noguchi fought for the reintegration of the arts toward some purposeful and social end, and nowhere was this more apparent than in its playground designs.
Lawren Harris was born into one of Canada’s wealthiest families and was destined for a life in aristocratic circles, yet he always felt more at home in the great outdoors.
A poetic and cinematic research into spirituality and its music in Brazil by Priscilla Telmon & Vincent Moon.
A book of unseen photographs documenting the early days of the British direct action environmental movement from 1995—1999.
A few hours ago I found this woman sitting on the floor near the marketplace of a small town in Southern France.
Klaudia B. Lewandowski is a photographer and creator of visual poetry, based in Berlin. She looks at the world through the eyes of a curious child, collecting sticks and stones and flowers along the way.
The first stages of embryonic development are roughly the same for all animals, including humans.
Andujar’s legacy is a shining example of art and activism coming together as one.
For more than forty years, Arno Rafael Minkkinen has been photographing his body immersed in nature. What you see happening in the image happened in front of the lens.
This book is leading you on travels in a mysterious and visionary world.
The term Ama literally means ‘women of the sea’, as women were always the preferred divers in Japan.
Agnes Lawrence Pelton (1881–1961) was a member of the Transcendental Painting Group, dedicated to the principles of creating and promoting a pure abstract painting style imbued with spiritual intent.
Burchfield’s nature scenes strike me as among the most experiential art I know, as he’s able to put you right into his synesthetic experience of nature.
Deep and dark, this film glides through a misty world of forest spirits, dreams, and psychotropic honey.
To seek the timeless way we must first know the quality without a name. There is a central quality which is the root criterion of life and spirit in a man, a town, a building, or a wilderness.
The images of Simen Johan speak to me because of their perfection, showing us the animal kingdom in a supernatural…
The painter has a language which translates meaning to the viewer beyond that which the viewer’s experience can give.
We can begin to sense that we are animals too, just one experiment among countless others, shaped in reciprocity with a living world. At first, we might see otherness, but eventually, we can recognize another person staring back at us.