To seek the timeless way we must first know the quality without a name. There is a central quality which is the root criterion of life and spirit in a man, a town, a building, or a wilderness.
The images of Simen Johan speak to me because of their perfection, showing us the animal kingdom in a supernatural…
The painter has a language which translates meaning to the viewer beyond that which the viewer’s experience can give.
We can begin to sense that we are animals too, just one experiment among countless others, shaped in reciprocity with a living world. At first, we might see otherness, but eventually, we can recognize another person staring back at us.
On these grounds, all perception is a gamble. A meta-level is always just around the corner, and Zawada’s hyperreal imagery is a vivid glimpse into an expanded perceptual bandwidth.
“We exist in relation to three things: The forest, wild animals, and our ancestor spirits. Once we lose the connection to these things, we invite demons to take hold of our destiny.”
Watching this video, I felt captured by a primal feeling of awe. One of these rare moments when we glimpse how inconceivably vast and powerful this reality is.
Automatic Earth refers to what I see as a ‘blue print’ that exists within nature; a plan within each organism to automatically generate a particular form or pattern that is then, inevitably flawed.
Or what being present means to me. And why I practice Ashtanga Yoga.
A trialogue on chaos and the world soul, featuring Terence McKenna, Rupert Sheldrake, Ralph Abraham – three brilliant minds sharing their views on life and the structure of reality.
These portraits of the woods are influenced by imaging neuroscience. Especially the colors are reminiscent of the artist’s experience with fluorescence microscopy.
Especially the persistent interest in depicting light characterizes the dreamlike atmosphere in the woodblock prints of Hasui Kawase
Seeds are the most complex organs produced by plants, capable of traveling space and time to ensure the biodiversity of our planet.
The image of Bali as a place of great physical beauty laced with a mysterious spirituality has its origins in the works of a small circle of bohemian expats in the 1930, of whom Spies was the most influential.
Joth Shakerley is following the Rainbow Family for over twenty years. The pictures he brought back are beyond words.
The woodcut prints of Tom Killion speak of a deep love for the landscape, a passion for the poetics of…
Maxfield Parrish captures a light mood in his paintings that feels supernatural and very real and tangible at the same time.
A cosmic drama featuring the two interstellar repairmen Stel and Atan who rediscover humanity’s true state of being.
I wanted to make a post about the Brazilian visionary artist Tuco Amalfi for some time already. Now I saw…
Primitive Technology is a hobby where you make things in the wild completely from scratch using no modern tools or materials. This is the strict rule.
Jean Delville was a Belgian painter who painted heavily symbolic scenes with a occult oriented spiritual perspective.
For more than fifty years the Dillon’s formed one of the most successful and influential illustrator partnership.
Alexander Ross’ hyper worlds of cellular growth and green towering vines are one of a kind.
Craig Burrows photographs plants and flowers using a type of photography called UVIVF or ultraviolet-induced visible fluorescence.
How do we want to live? These people choose a life away from the cities, willing to abandon lifestyles based on performance, efficiency and consumption.
Karolina’s mission is the transmutation of reality, her work far more than mere adornment — she weaves the umbilical thread that reminds us of dimensions we have just forgotten about.
The synchronicity of discovering Esther Teichmann at this moment in my life is striking. I am surrounded by lush nature and the promise of the unknown speaks to me beyond language.
There is a small group of painters who are able to invoke nature’s serene magic. Isono is one of them and his love for the forest is very tangible.
Reisewitz’ photographs, most of all large formats, explore the changing relation of the city and the countryside in a period of feverish economic development.
Edward James — described by Salvador Dalí as “crazier than all the Surrealists together” — designed a sculptural dream garden that defies any architectural label.
Flor Garduño’s pictures are a celebration of eternal womanhood and fecundity of nature.
Edward S. Curtis shows us an ancient way of life that is about to vanish. And after that the wisdom will be forever lost.