Emilio Ambasz
Green over Grey
Ambasz has been called “the father, poet, and prophet of green architecture” as he anticipated much of what would become the sustainable architecture movement decades later.

The Door of Perception
Ambasz has been called “the father, poet, and prophet of green architecture” as he anticipated much of what would become the sustainable architecture movement decades later.

My main theme is the relationship of two different dimensions in space: the real and the imaginary.

She painted like someone remembering an ancient language. Her images are not fantasies – they are instructions for waking up.

Bubenik paints hybrid apparatuses fusing organic growth with silicon-based structures. This utopian synthesis resonates in the titles of the works—Butterfly Machine, Transistor Embryo, Enzymatic Receptor.

The oeuvre of Yoshifumi Hayashi is a profession of materialist-sensualist faith, a manifestation of vital and sexual desire as an intrinsic force of nature.

Dr. Dain L. Tasker (1872-1964), began producing X-ray images of flowers while working as chief radiologist at Wilshire Hospital in…

There can be few unpublished works that have already exerted such far-reaching effects upon twentieth-century social and intellectual history as Jung’s Red Book, or Liber Novus.

The boundaries between the real and the imagined dissolve, vegetal phenomena slip into the guise of human dramas, and we can sense the magical entanglement of all realms of experience …

Huxian Peasant Paintings are a product of the Chinese Cultural Revolution. Ostensibly painted by amateur worker-peasant-soldier artists, they depict idealized scenes of the thriving socialist countryside.

Painter of poems, writer of spots, dancer of words… Michaux’s work blurs the boundaries between literature, art, and philosophy as self-experiment.

The portrayed bodies are realistically drawn yet seem to herald a transcendent realm of essence beyond life and death.

My kind of art is showing something that exists. The fractal exists. I didn’t create it, I didn’t come up with it, I found it.

These drawings and prints by Arata Isozaki visualize the fundamental concepts behind some of his most iconic buildings.

A cloud atlas is a visual representation of various cloud types, including their classification and naming conventions.

Fini’s work blends elements of surrealism, symbolism, and fantastical imagery, with a fearless exploration of genderfluid identities and depictions of feminine energy.

In this ongoing series Dan Coe uses open-source Lidar data to illustrate the evolution of rivers and deltas.

The publication uses AI to mash up ages, geographies and traditions, creating virtual artifacts indistinguishable from historical records.

He calls himself a cosmic illustrator, visual alchemist and psychonaut. All images are from his left hand.

I hope that I’m starting to play in that space between conventional ideas of what a human should be and what a human could be.

Her vibrant nature scenes convey a sense of the divine in nature and are reminiscent of the Transcendental Painting Group.

After a tumultuous life, often in conflict with the law, including periods in psychiatric hospitals, the founding of a sect and practicing as a fortune teller and healer, he began to draw at the age of 57.

Cameron was an American artist, poet, actress, and occultist who emerged as a key figure in the California counterculture movement in the 1950s and 60s.

Lloyd Kahn is arguably the most influential pioneer of the DIY building movement that emerged in the 1960s.

His buildings are nothing less than an exuberant act of self-expression by Bolivia’s long-marginalized indigenous majority.

Santiago Ramón y Cajal (1852-1934) was a Spanish neuroscientist and pathologist who is considered the father of modern neuroscience.

David Uzochukwu (born 1998) is an Austrian-Nigerian artist engaging with longing and belonging through (self) portraiture. He uses photography and…

Sophy Hollington is a Brighton-based illustrator who has made a name for herself through her unique take on futuristic folklore realized in linocut.
The following drawings are taken from the Wurzelatlas, a book series that began in 1960 and is regarded as the standard work on root research.

She describes her work as an ongoing exploration without rules and conventions, inspired by the desire to live.

This book is a New Age classic but just one of many publications in the same spirit springing from the counterculture of the late 1960s.

Few artists have so powerfully evoked the uncanny otherness of the unconscious like Swiss artist Peter Birkhäuser.

Her paintings speak to us with such a refreshing immediacy, reminding us how wild it is to be alive.
