Arata Isozaki
Essence of Form and Values
These drawings and prints by Arata Isozaki visualize the fundamental concepts behind some of his most iconic buildings.
The Door of Perception
These drawings and prints by Arata Isozaki visualize the fundamental concepts behind some of his most iconic buildings.
A cloud atlas is a visual representation of various cloud types, including their classification and naming conventions.
Fini’s work blends elements of surrealism, symbolism, and fantastical imagery, with a fearless exploration of genderfluid identities and depictions of feminine energy.
Their latest exploration into generative AI seems like a natural evolution of their practice.
In this ongoing series Dan Coe uses open-source Lidar data to illustrate the evolution of rivers and deltas.
The publication uses AI to mash up ages, geographies and traditions, creating virtual artifacts indistinguishable from historical records.
The Kogi hold a unique position; on a bloodstained continent they alone have never been conquered, and have succeeded in preserving their four thousand year old understanding of the world.
I haven’t shared anything from Terence McKenna in almost seven years, and yet few thinkers had a stronger influence on…
He calls himself a cosmic illustrator, visual alchemist and psychonaut. All images are from his left hand.
These two visionary tales are written hundred years apart, under very different conditions by very different authors yet they make a great match.
Biosphere 2 was one of the most lauded experiments of the 1990s, then one of the most ridiculed. Now it is back, offering a unique way to put theories about climate and environment to the test.
The Brazilian-born photographer Valdir Cruz has lived in the United States for more than thirty years, yet much of his…
Despite their brief existence, snowflakes are a testament to the limitless creativity woven into the fabric of the natural world.
Amy Woodward’s tender photographic eye focuses on portraying the experience of early parenthood. A pivotal moment for everybody living through…
The Whole Earth Catalog, first published in 1968, can be considered the bible of counterculture in the 60s and 70s. It compiles tools that can empower the individual within the global community.
Realistic representations of observable reality altered by invisible mysteries of life made visible.
I hope that I’m starting to play in that space between conventional ideas of what a human should be and what a human could be.
Photojournalist Sebastião Salgado traveled the Brazilian Amazon for six years to document the unfathomable wonder of this last frontier. The forest, the rivers, the mountains, and the people who live there.
Her vibrant nature scenes convey a sense of the divine in nature and are reminiscent of the Transcendental Painting Group.
After a tumultuous life, often in conflict with the law, including periods in psychiatric hospitals, the founding of a sect and practicing as a fortune teller and healer, he began to draw at the age of 57.
I think it is fair to say that Pete Mauney is obsessed with photographing fireflies. For more than twenty years he finds solace in his nocturnal wanderings and an inexhaustible challenge for the next interesting composition.
Cameron was an American artist, poet, actress, and occultist who emerged as a key figure in the California counterculture movement in the 1950s and 60s.
Apocalyptic landscapes imbued with an ominous presence, that reminds me of the frailty of everything we deem safe and irrefutable.
Lloyd Kahn is arguably the most influential pioneer of the DIY building movement that emerged in the 1960s.
His buildings are nothing less than an exuberant act of self-expression by Bolivia’s long-marginalized indigenous majority.
Santiago Ramón y Cajal (1852-1934) was a Spanish neuroscientist and pathologist who is considered the father of modern neuroscience.
David Uzochukwu (born 1998) is an Austrian-Nigerian artist engaging with longing and belonging through (self) portraiture. He uses photography and…
Sophy Hollington is a Brighton-based illustrator who has made a name for herself through her unique take on futuristic folklore realized in linocut.
The following drawings are taken from the Wurzelatlas, a book series that began in 1960 and is regarded as the standard work on root research.
She describes her work as an ongoing exploration without rules and conventions, inspired by the desire to live.
The person behind the name Selvesportrait is a nomadic seeker, a nature worshipper and a naked mirror to the infinite beauty.
This book is a New Age classic but just one of many publications in the same spirit springing from the counterculture of the late 1960s.