Agnes Denes
A Confrontation
Anything important has to be almost invisible. And underrated. So the understructure should be underrated, but strong enough to hold the earth.

The Door of Perception
Anything important has to be almost invisible. And underrated. So the understructure should be underrated, but strong enough to hold the earth.

My main theme is the relationship of two different dimensions in space: the real and the imaginary.

Bubenik paints hybrid apparatuses fusing organic growth with silicon-based structures. This utopian synthesis resonates in the titles of the works—Butterfly Machine, Transistor Embryo, Enzymatic Receptor.

The oeuvre of Yoshifumi Hayashi is a profession of materialist-sensualist faith, a manifestation of vital and sexual desire as an intrinsic force of nature.

Dr. Dain L. Tasker (1872-1964), began producing X-ray images of flowers while working as chief radiologist at Wilshire Hospital in…

The boundaries between the real and the imagined dissolve, vegetal phenomena slip into the guise of human dramas, and we can sense the magical entanglement of all realms of experience …

Her heartfelt portraits of mothers and children are imbued with an almost utopian serenity. This same raw, earthy beauty flows through all her creations, whether it’s her vibrant cakes or her drawings made with natural pigments.

Garden of Eden explores the vast world of psychoactive plants, animals and other organisms, and their uses in shamanism, spiritual exploration and healing.

Their latest exploration into generative AI seems like a natural evolution of their practice.

Biosphere 2 was one of the most lauded experiments of the 1990s, then one of the most ridiculed. Now it is back, offering a unique way to put theories about climate and environment to the test.

I hope that I’m starting to play in that space between conventional ideas of what a human should be and what a human could be.

Her vibrant nature scenes convey a sense of the divine in nature and are reminiscent of the Transcendental Painting Group.

I think it is fair to say that Pete Mauney is obsessed with photographing fireflies. For more than twenty years he finds solace in his nocturnal wanderings and an inexhaustible challenge for the next interesting composition.

Apocalyptic landscapes imbued with an ominous presence, that reminds me of the frailty of everything we deem safe and irrefutable.

The following drawings are taken from the Wurzelatlas, a book series that began in 1960 and is regarded as the standard work on root research.

Her paintings speak to us with such a refreshing immediacy, reminding us how wild it is to be alive.

Each picture reveals minute features and textures that are normally invisible to the naked eye.

Wolfgang Hutter was clearly gifted with an exceptional receptivity to feel the call of beauty and the creative power to translate it back into form.

A poetic and cinematic research into spirituality and its music in Brazil by Priscilla Telmon & Vincent Moon.

A book of unseen photographs documenting the early days of the British direct action environmental movement from 1995—1999.

His meticulously rendered landscapes suggest a nostalgia for Eden and the availability of peace and joy through an expanded awareness of the beauty inherent in the land.

A few hours ago I found this woman sitting on the floor near the marketplace of a small town in Southern France.

Burchfield’s nature scenes strike me as among the most experiential art I know, as he’s able to put you right into his synesthetic experience of nature.

Bryan Haynes’ ability to portray trees in an otherworldly light speaks to me in the most visceral way. It awakens a memory I carry within, of another kind of seeing.

The images of Simen Johan speak to me because of their perfection, showing us the animal kingdom in a supernatural…

The painter has a language which translates meaning to the viewer beyond that which the viewer’s experience can give.

On these grounds, all perception is a gamble. A meta-level is always just around the corner, and Zawada’s hyperreal imagery is a vivid glimpse into an expanded perceptual bandwidth.

Automatic Earth refers to what I see as a ‘blue print’ that exists within nature; a plan within each organism to automatically generate a particular form or pattern that is then, inevitably flawed.
I grew up with Tintin and I just realized how formative Hergé’s ‘ligne claire’ was for me. His distinct visual…

A trialogue on chaos and the world soul, featuring Terence McKenna, Rupert Sheldrake, Ralph Abraham – three brilliant minds sharing their views on life and the structure of reality.

These portraits of the woods are influenced by imaging neuroscience. Especially the colors are reminiscent of the artist’s experience with fluorescence microscopy.

Especially the persistent interest in depicting light characterizes the dreamlike atmosphere in the woodblock prints of Hasui Kawase
