The Door of Perception
Bubenik paints hybrid apparatuses fusing organic growth with silicon-based structures. This utopian synthesis resonates in the titles of the works—Butterfly Machine, Transistor Embryo, Enzymatic Receptor.
Lachlan Turczan is a Los Angeles-based artist whose work explores the interplay between natural phenomena and human perception.
The boundaries between the real and the imagined dissolve, vegetal phenomena slip into the guise of human dramas, and we can sense the magical entanglement of all realms of experience …
My kind of art is showing something that exists. The fractal exists. I didn’t create it, I didn’t come up with it, I found it.
These drawings and prints by Arata Isozaki visualize the fundamental concepts behind some of his most iconic buildings.
Their latest exploration into generative AI seems like a natural evolution of their practice.
In this ongoing series Dan Coe uses open-source Lidar data to illustrate the evolution of rivers and deltas.
I hope that I’m starting to play in that space between conventional ideas of what a human should be and what a human could be.
Her vibrant nature scenes convey a sense of the divine in nature and are reminiscent of the Transcendental Painting Group.
I think it is fair to say that Pete Mauney is obsessed with photographing fireflies. For more than twenty years he finds solace in his nocturnal wanderings and an inexhaustible challenge for the next interesting composition.
His buildings are nothing less than an exuberant act of self-expression by Bolivia’s long-marginalized indigenous majority.
David Uzochukwu (born 1998) is an Austrian-Nigerian artist engaging with longing and belonging through (self) portraiture. He uses photography and…
Sophy Hollington is a Brighton-based illustrator who has made a name for herself through her unique take on futuristic folklore realized in linocut.
She describes her work as an ongoing exploration without rules and conventions, inspired by the desire to live.
Few artists have so powerfully evoked the uncanny otherness of the unconscious like Swiss artist Peter Birkhäuser.
Her paintings speak to us with such a refreshing immediacy, reminding us how wild it is to be alive.
Each picture reveals minute features and textures that are normally invisible to the naked eye.
I have always been drawn to things I found suggestive but couldn’t understand. The tarot is such a theme that speaks to my imagination but I can’t explain what it really is.
A laboratory in constant change, a small museum of desires and dreams that amuse the inner child.
Wolfgang Hutter was clearly gifted with an exceptional receptivity to feel the call of beauty and the creative power to translate it back into form.
Her body of work is an expression of her sensuality as a woman going through the different stages of pregnancy from conception to birth to motherhood.
His meticulously rendered landscapes suggest a nostalgia for Eden and the availability of peace and joy through an expanded awareness of the beauty inherent in the land.
The narrative drawings reflect the eternal human struggle for the right path in life, alongside our demons.
A few hours ago I found this woman sitting on the floor near the marketplace of a small town in Southern France.
After decades of neglect, the British artist and writer Ithell Colquhoun is finally recognized as one of the most exciting and creative occult thinkers of the 20th century.
Klaudia B. Lewandowski is a photographer and creator of visual poetry, based in Berlin. She looks at the world through the eyes of a curious child, collecting sticks and stones and flowers along the way.
There is already another post about Philip Kirkland but these images I’ve just found deserve to stand alone.
Agnes Lawrence Pelton (1881–1961) was a member of the Transcendental Painting Group, dedicated to the principles of creating and promoting a pure abstract painting style imbued with spiritual intent.
Burchfield’s nature scenes strike me as among the most experiential art I know, as he’s able to put you right into his synesthetic experience of nature.
The painter has a language which translates meaning to the viewer beyond that which the viewer’s experience can give.
Rajni Perera paints a vibrant sci-fi universe ruled by hybrid deities, demons, and powerful black heroines.
On these grounds, all perception is a gamble. A meta-level is always just around the corner, and Zawada’s hyperreal imagery is a vivid glimpse into an expanded perceptual bandwidth.
