The woodcut prints of Tom Killion speak of a deep love for the landscape, a passion for the poetics of…
Maxfield Parrish captures a light mood in his paintings that feels supernatural and very real and tangible at the same time.
Wenzel Hablik is a visionary, an utopian architect of the proverbial crystal castles in the clouds.
A cosmic drama featuring the two interstellar repairmen Stel and Atan who rediscover humanity’s true state of being.
The base of Michiel Schuurman’s graphic work is a certain logic – whether natural, scientific or historical. Geeky algorithms, natural…
French artist Alexandra Duprez mentions Australian Aboriginal art as her main inspiration to take up painting.
I wanted to make a post about the Brazilian visionary artist Tuco Amalfi for some time already. Now I saw…
Jean Delville was a Belgian painter who painted heavily symbolic scenes with a occult oriented spiritual perspective.
The photography of Tyrone Williams is a reminder that beauty is to be found everywhere — In trash cans, puddles and rearview mirrors. Beauty is in the eye of the beholder.
For more than fifty years the Dillon’s formed one of the most successful and influential illustrator partnership.
The works of Uri Shapira expose environments of alternative truth, made of active metal vegetation and various chemical growths.
Schematic illustrations scanned from instruction manuals turned into unsettling nightmares. He achieves a dreamlike other-worldliness only reached by few artists.
This film is based on the 1967 book of the same name. It’s a radical critique of mass marketing and its role in the alienation of modern society.
Alexander Ross’ hyper worlds of cellular growth and green towering vines are one of a kind.
Spencer Tunick photographs individuals en masse, without their clothing, grouped together.
Craig Burrows photographs plants and flowers using a type of photography called UVIVF or ultraviolet-induced visible fluorescence.
The drawn structures depict the unfathomable abundance of sensuous impulses, in order to make it available for fresh examination.
Goudal makes no attempt to hide any evidence of fabrication, drawing attention to the artificial, man-made aspect of photography
Ernst Fuchs was one of the most influential masters of the visionary arts movement.
A primal heart still beats in Europe. Rural people all over the continent kept the connection to nature’s rhythm and celebrate the seasonal cycle. They invoke death but bestow fertile life.
Karolina’s mission is the transmutation of reality, her work far more than mere adornment — she weaves the umbilical thread that reminds us of dimensions we have just forgotten about.
The synchronicity of discovering Esther Teichmann at this moment in my life is striking. I am surrounded by lush nature and the promise of the unknown speaks to me beyond language.
The Adventurous Spark aka TAS is an Austrian 3D artist specialized in live visuals and mapping for psytrance festivals.
There is a small group of painters who are able to invoke nature’s serene magic. Isono is one of them and his love for the forest is very tangible.
Reisewitz’ photographs, most of all large formats, explore the changing relation of the city and the countryside in a period of feverish economic development.
Robert Beatty’s artworks are exceptionally peculiar and seem impossible to pin down.
Gerhard Riebicke’s photography paved the way for the awakening of the Lebensreform movement in the early 20th century.
Edward James — described by Salvador Dalí as “crazier than all the Surrealists together” — designed a sculptural dream garden that defies any architectural label.
I’m aware of Ana Noble and her life at the navel of the moon (Mexico City) since I discovered her flickr stream many years ago.
The ancient art of wayfinding is an almost forgotten skill once common throughout the Pacific.
The art of dying, the experience of letting go all that is known is almost forgotten in our culture.
For seven thousand years, the Selk’nam, Yamana and Kawésqar people inhabited the forbidding archipelago of Southern Patagonia.